Ballroom Dancing Man | Musical Timing … You Wench!

So at this point in my ballroom dancing journey, I am at a point where (as my instructor puts it), I can either plateau or go to really the next level. That is really a great sentiment and absolutely where I want to go. It’s funny though… where I am, I feel that things are going pretty well. I am proving myself as being one of the better more popular gentlemen in the studio, feel good about how I look when I dance, and confidence is (or was) at an all-time high.

But here we are going to the next level. Now, with Arthur Murray, that next level is progressing from Associate Bronze to Bronze level and Bronze level is no joke! Now, in order to progress, you have to “check out” to the next level. That includes being judged on the major figures in front of a senior instructor. I have been through this a number of times before so that part isn’t a problem, but for some reason, there has emerged something that is very troubling with the Cha Cha for any dancer … musical timing.

Now, you can be one of the worst dancers from a technique perspective. You can simply shuffle your feet… you can have the weakest of frames… you can look down at your feet the whole time… and still do better than the guy with the best form and technique, but can’t stay on time with the music. For the life of me, I don’t know why it is, but I have an idea. So the Cha Cha count goes 1..2..3.. 4 and 1 (Cha Cha Cha)… rinse and repeat. My instructor pointed me to the 1 beat and how I’m cutting it short (not giving it the full beat) and with a fast dance like Cha Cha, it’s very easy to get off time when you cut a beat short.

So here I am… listening to my playlist of Cha Cha music counting out every bloody “1″ I can. If I can’t figure this out, my dance career might be cut short too J.

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